and III(G) and V(B7) chords. It's got a smooth groove and is easy to
follow. Notice that the V chord is played as a B7 instead of Bm as the
Eminor chord scale would dictate. This is actually the "proper"
classical way to voice a V chord, even in a minor key. When you get to
that chord, try using the E Harmonic minor scale which replaces the D
with a D#. In fact, resolving to the D# really enhances the chord and
allows you to cruise up a semitone to the E note for the E minor chord
on the repetition.
Here are the tones that comprise each chord for the purposes of
resolving your phrases.
Em=E, G and B
C=C, E and G
G=G, B and D
B7=B, D#, F# and A
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